000			02124 a2200397 4500
005			20250526161930.0
008			250430042025GB 16 eng
020			_a9781032294605 _qBB
037			_bTaylor & Francis _cGBP 160.00 _fBB
040			_a01
041			_aeng
072	7		_aDSBH _2thema
072	7		_aJHM _2thema
072	7		_aJMAF _2thema
072	7		_aDSA _2thema
072	7		_aMKMT _2thema
072	7		_aDSBH _2bic
072	7		_aJHM _2bic
072	7		_aJMAF _2bic
072	7		_aDSA _2bic
072	7		_aMMJT _2bic
072	7		_aLIT024050 _2bisac
072	7		_aLIT006000 _2bisac
072	7		_aPER011020 _2bisac
072	7		_aLAN009000 _2bisac
072	7		_aLIT000000 _2bisac
072	7		_a808.2 _2bisac
100	1		_aIngrid Hotz-Davies _9683
245	1	0	_aLiterary Materialisations and Interferential Reading _bMaking Matter Matter on Page, Stage and Screen
250			_a1
260			_aOxford _bRoutledge _c20250327
300			_a276 p
520			_bThis book traces literature’s long history of repurposing representational language use for performative, “material” effects. It brings this tradition into dialogue with the recent material turn in literary and cultural theory, which seeks to supplant or at least rethink the foundational influence of the linguistic turn in the field. Drawing on a variety of cutting‑edge new‑materialist theories, this book programmatically outlines the contours of a methodology of Interferential Reading that is then brought to bear on examples ranging from Shakespeare, Donne, Keats and Tennyson to Northern Irish poets Colette Bryce and Sinéad Morrissey and Scottish poet Kathleen Jamie; from British thing essays to J. G. Ballard, John Berger, Nicola Barker, Richard Powers, Colum McCann, Tim Crouch, Hanya Yanagihara and Korean writer Han Kang, winner of the 2024 Nobel Prize for literature, and from the history of theatrical bodies to the intermedial as well as affective textures in very recent experimental theatre, live theatre broadcasting and media art.
700	1		_aMartin Middeke _4B01 _9684
700	1		_aChristoph Reinfandt _4B01 _9685
999			_c8504 _d8504