000			02120 a2200241 4500
001			1351964275
005			20250317111631.0
008			250312042017GB eng
020			_a9781351964272
037			_bTaylor & Francis _cGBP 34.99 _fBB
040			_a01
041			_aeng
072	7		_aAV _2thema
072	7		_aAV _2bic
072	7		_aMUS000000 _2bisac
072	7		_a780.942 _2bisac
100	1		_aAndrew Ashbee
245	1	0	_aRecords of English Court Music _bVolume IX: Index
250			_a1
260			_aOxford _bRoutledge _c20170919
300			_a356 p
520			_bPioneering work on the musical material from the archives of the English court was undertaken by Nagel (1894), Lafontaine (1909) and Stokes (in the Musical Antiquary 1903-1913). Records of English Court Music (a series of seven volumes covering the period 1485-1714) is the first attempt to compile a systematic calendar of such references. It aims to revise these earlier studies where necessary, adding significant details which researchers omitted, clarifying the context of documents and substituting current call-marks for defunct references. Volume V is primarily concerned with the post-Restoration years already partially covered in volumes I and II. The material from the Exchequer and Declared Accounts of the Treasurer of the Chamber has been revised to include references to trumpeters and drummers. Other sections are devoted to material outside the Lord Chamberlain's papers: the Signet Office Docquet Books, Secret Service accounts and more from the Exchequer; the Corporation of Musick (controlled by the Court musicians) and to the range of music material from accounts of the Receivers General. Samples from the comprehensive records of the Lord Steward's department (including those of the Cofferer of the Household) are also provided. Andrew Ashbee was the winner of the Oldman Prize in 1987 for Volume II in the series of 'Records of English Court Music', awarded by the UK branch of the International Association of Music Libraries for the year's best book on music librarianship, bibliography and reference.
999			_c6695 _d6695