000			01846 a2200325 4500
001			1134791445
005			20250317111619.0
008			250312042017GB 2 eng
020			_a9781134791446
037			_bTaylor & Francis _cGBP 42.99 _fBB
040			_a01
041			_aeng
072	7		_aDSB _2thema
072	7		_aGTM _2thema
072	7		_a1FB _2bisac
072	7		_aDSBD _2bic
072	7		_aGTB _2bic
072	7		_a1FB _2bisac
072	7		_aLIT019000 _2bisac
072	7		_aLIT000000 _2bisac
072	7		_aLIT004220 _2bisac
072	7		_aLIT024010 _2bisac
072	7		_a808.8 _2bisac
100	1		_aSooyong Kim
245	1	0	_aLast of an Age _bThe Making and Unmaking of a Sixteenth-Century Ottoman Poet
250			_a1
260			_aOxford _bRoutledge _c20171201
300			_a170 p
520			_bIn The Last of an Age , Sooyong Kim explores the relationship between social change and the development of an Ottoman literary canon in the course of the sixteenth century by examining the work and reception of a popular poet, Zati (1471–1546). Kim argues that a newly emergent group of bureaucratic literati, through the production of authoritative biographical dictionaries, ultimately relegated Zati to a lesser literary age, driven by a self-fashioning that privileged broad linguistic ability, above all else, with poetry serving as the main vehicle for demonstrating that. This study is interdisciplinary in approach, taking insights from literary studies, cultural history, and social theory. It adds to the scholarship on the rise of early modern Ottoman canons in the fields of visual arts and music and complements recent work on court patronage. Framed by ongoing critiques of canon formation among specialists of early modern Europe and late imperial China, the study offers a comparative perspective on those issues.
999			_c5602 _d5602