| 000 | 01291 a2200289 4500 | ||
|---|---|---|---|
| 001 | 1351924222 | ||
| 005 | 20250317111618.0 | ||
| 008 | 250312042017GB eng | ||
| 020 | _a9781351924221 | ||
| 037 |
_bTaylor & Francis _cGBP 52.99 _fBB |
||
| 040 | _a01 | ||
| 041 | _aeng | ||
| 072 | 7 |
_aDSB _2thema |
|
| 072 | 7 |
_aN _2thema |
|
| 072 | 7 |
_a3M _2bisac |
|
| 072 | 7 |
_aDSBD _2bic |
|
| 072 | 7 |
_aHBLH _2bic |
|
| 072 | 7 |
_aLIT020000 _2bisac |
|
| 072 | 7 |
_aLIT000000 _2bisac |
|
| 072 | 7 |
_a821.4 _2bisac |
|
| 100 | 1 | _aPaula Loscocco | |
| 245 | 1 | 0 |
_aKatherine Philips (1631/2–1664): Printed Letters 1697–1729 _bPrinted Writings 1641–1700: Series II, Part Three, Volume 3 |
| 250 | _a1 | ||
| 260 |
_aOxford _bRoutledge _c20170302 |
||
| 300 | _a328 p | ||
| 520 | _bKatherine Philips was a major seventeenth-century poet and playwright who became widely known for her innovative use of Donnean poetics to express passionate female friendship, her occasional verses on private friends and public figures, and her moral and political acuity. She had the mixed fortune of being enshrined in posthumous volumes that both celebrated and misrepresented her achievement. Fortunately recent research has clarified our understanding of who Philips was and how she conducted her literary career. | ||
| 999 |
_c5562 _d5562 |
||