| 000 | 01786 a2200265 4500 | ||
|---|---|---|---|
| 001 | 1138849693 | ||
| 005 | 20250317100410.0 | ||
| 008 | 250312042014GB eng | ||
| 020 | _a9781138849693 | ||
| 037 |
_bTaylor & Francis _cGBP 49.99 _fBB |
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| 040 | _a01 | ||
| 041 | _aeng | ||
| 072 | 7 |
_aDSY _2thema |
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| 072 | 7 |
_aDSY _2bic |
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| 072 | 7 |
_aLIT009000 _2bisac |
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| 072 | 7 |
_aLIT000000 _2bisac |
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| 072 | 7 |
_aLIT004260 _2bisac |
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| 072 | 7 |
_a822.912 _2bisac |
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| 100 | 1 | _aKirsten Stirling | |
| 245 | 1 | 0 | _aPeter Pan's Shadows in the Literary Imagination |
| 250 | _a1 | ||
| 260 |
_aOxford _bRoutledge _c20141110 |
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| 300 | _a172 p | ||
| 520 | _bThis book is a literary analysis of J.M. Barrie’s Peter Pan in all its different versions -- key rewritings, dramatisations, prequels, and sequels -- and includes a synthesis of the main critical interpretations of the text over its history. A comprehensive and intelligent study of the Peter Pan phenomenon, this study discusses the book’s complicated textual history, exploring its origins in the Harlequinade theatrical tradition and British pantomime in the nineteenth century. Stirling investigates potential textual and extra-textual sources for Peter Pan , the critical tendency to seek sources in Barrie’s own biography, and the proliferation of prequels and sequels aiming to explain, contextualize, or close off, Barrie’s exploration of the imagination. The sources considered include Dave Barry and Ridley Pearson’s Starcatchers trilogy, Régis Loisel’s six-part Peter Pan graphic novel in French (1990-2004), Andrew Birkin’s The Lost Boys series, the films Hook (1991), Peter Pan (2003) and Finding Neverland (2004), and Geraldine McCaughrean’s "official sequel" Peter Pan in Scarlet (2006), among others. | ||
| 999 |
_c2273 _d2273 |
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