000 02114 a2200385 4500
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008 250312042016GB eng
020 _a9781138262089
037 _bTaylor & Francis
_cGBP 34.99
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040 _a01
041 _aeng
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100 1 _aAndrea Adolph
245 1 0 _aFood and Femininity in Twentieth-Century British Women's Fiction
250 _a1
260 _aOxford
_bRoutledge
_c20161115
300 _a192 p
520 _bIn her feminist intervention into the ways in which British women novelists explore and challenge the limitations of the mind-body binary historically linked to constructions of femininity, Andrea Adolph examines female characters in novels by Barbara Pym, Angela Carter, Helen Dunmore, Helen Fielding, and Rachel Cusk. Adolph focuses on how women's relationships to food (cooking, eating, serving) are used to locate women's embodiment within the everyday and also reveal the writers' commitment to portraying a unified female subject. For example, using food and food consumption as a lens highlights how women writers have used food as a trope that illustrates the interconnectedness of sex and gender with issues of sexuality, social class, and subjectivity-all aspects that fall along a continuum of experience in which the intellect and the physical body are mutually complicit. Historically grounded in representations of women in periodicals, housekeeping and cooking manuals, and health and beauty books, Adolph's theoretically informed study complicates our understanding of how women's social and cultural roles are intricately connected to issues of food and food consumption.
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_d1093