Literary Materialisations and Interferential Reading (Record no. 8504)

MARC details
000 -LEADER
fixed length control field 02124 a2200397 4500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250526161930.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250430042025GB 16 eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781032294605
Qualifying information BB
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 160.00
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code DSBH
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Subject category code JHM
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Subject category code MKMT
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Subject category code DSBH
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Subject category code JHM
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Subject category code JMAF
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Subject category code DSA
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Subject category code MMJT
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Subject category code LIT024050
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Subject category code LIT006000
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Subject category code PER011020
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Subject category code LAN009000
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Subject category code 808.2
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100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Ingrid Hotz-Davies
9 (RLIN) 683
245 10 - TITLE STATEMENT
Title Literary Materialisations and Interferential Reading
Remainder of title Making Matter Matter on Page, Stage and Screen
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20250327
300 ## - PHYSICAL DESCRIPTION
Extent 276 p
520 ## - SUMMARY, ETC.
Expansion of summary note This book traces literature’s long history of repurposing representational language use for performative, “material” effects. It brings this tradition into dialogue with the recent material turn in literary and cultural theory, which seeks to supplant or at least rethink the foundational influence of the linguistic turn in the field. Drawing on a variety of cutting‑edge new‑materialist theories, this book programmatically outlines the contours of a methodology of Interferential Reading that is then brought to bear on examples ranging from Shakespeare, Donne, Keats and Tennyson to Northern Irish poets Colette Bryce and Sinéad Morrissey and Scottish poet Kathleen Jamie; from British thing essays to J. G. Ballard, John Berger, Nicola Barker, Richard Powers, Colum McCann, Tim Crouch, Hanya Yanagihara and Korean writer Han Kang, winner of the 2024 Nobel Prize for literature, and from the history of theatrical bodies to the intermedial as well as affective textures in very recent experimental theatre, live theatre broadcasting and media art.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Martin Middeke
Relationship B01
9 (RLIN) 684
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Christoph Reinfandt
Relationship B01
9 (RLIN) 685

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