Designing UNESCO (Record no. 758)

MARC details
000 -LEADER
fixed length control field 02001 a2200265 4500
001 - CONTROL NUMBER
control field 1138262129
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317100357.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042016GB eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781138262126
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 52.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code AGA
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code ABA
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code AC
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code ABA
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code ART015000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code 720.9443610904
Source bisac
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Christopher E.M. Pearson
245 10 - TITLE STATEMENT
Title Designing UNESCO
Remainder of title Art, Architecture and International Politics at Mid-Century
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20161115
300 ## - PHYSICAL DESCRIPTION
Extent 412 p
520 ## - SUMMARY, ETC.
Expansion of summary note Designing UNESCO: Art, Architecture and International Politics at Mid-Century represents the first full-length monograph on the genesis, construction and reception of the Paris headquarters of the United Nations' Educational, Scientific and Cultural Organization (UNESCO). The book traces the long and complex birth of UNESCO's permanent seat from its conception in 1950 to its inauguration in 1958, showing how its history constitutes a unique nexus of modernist practices in twentieth-century international politics, art, architecture and criticism. Drawing on a wide range of unpublished archival material and examining critical reception of the building in the local and international press, Christopher Pearson's analysis operates on formal, structural and theoretical levels, revealing many of the largely unspoken assumptions of modern architecture at mid-century and elucidating the conflicted relation between art and science in the post-war period. The volume also throws new light on many of the major architects and artists of the period, among them Breuer, Gropius, Le Corbusier and Eero Saarinen, as well as Picasso, Moore, Miró, Arp, Calder and Noguchi. Designing UNESCO is a compelling and original account of one of the most important, yet under-appreciated, buildings of twentieth-century modernism.

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