Bruce Springsteen and Popular Music (Record no. 3846)
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|---|---|
| fixed length control field | 02806 a2200553 4500 |
| 001 - CONTROL NUMBER | |
| control field | 131737228X |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250317111558.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 250312042017GB 11 eng |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781317372288 |
| 037 ## - SOURCE OF ACQUISITION | |
| Source of stock number/acquisition | Taylor & Francis |
| Terms of availability | GBP 42.99 |
| Form of issue | BB |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | 01 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | eng |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | AVA |
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| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | MUS035000 |
| Source | bisac |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | SOC022000 |
| Source | bisac |
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| Subject category code | LAN015000 |
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| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | MUS029000 |
| Source | bisac |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | MUS017000 |
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| Subject category code | MUS000000 |
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| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | 782.42166092 |
| Source | bisac |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | William I. Wolff |
| 245 10 - TITLE STATEMENT | |
| Title | Bruce Springsteen and Popular Music |
| Remainder of title | Rhetoric, Social Consciousness, and Contemporary Culture |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 1 |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Place of publication, distribution, etc. | Oxford |
| Name of publisher, distributor, etc. | Routledge |
| Date of publication, distribution, etc. | 20170720 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 238 p |
| 520 ## - SUMMARY, ETC. | |
| Expansion of summary note | This interdisciplinary volume enters the scholarly conversation about Bruce Springsteen at the moment when he has reinforced his status of global superstar and achieved the status of social critic. Covering musical and cultural developments, chapters primarily consider work Springsteen has released since 9/11—that is, released during a period of continued global unrest, economic upheaval, and social change—under the headings Politics, Fear and Society; Gender and Sexual Identity; and Toward a Rhetoric of Springsteen. The collection engages Springsteen and popular music as his contemporary work is just beginning to be understood in terms of its impact on popular culture and music, applying new areas of inquiry to Springsteen and putting Springsteen fan writing within the same binding as academic writing to show how together they create a more nuanced understanding of an artist. Established and emerging Springsteen scholars approach work from disciplines including rhetoric and composition, historical musicology, labor studies, American history, literature, communications, sociology, theology, and government. Offering context, critique, and expansive understanding of Springsteen and his work, this book contributes to Springsteen scholarship and the study of popular music by showing Springsteen’s broadening academic appeal as well as his escalating legacy on new musicians, social consciousness, and contemporary culture. |
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