Peter Pan's Shadows in the Literary Imagination (Record no. 2273)

MARC details
000 -LEADER
fixed length control field 01786 a2200265 4500
001 - CONTROL NUMBER
control field 1138849693
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317100410.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042014GB eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781138849693
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 49.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code DSY
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code DSY
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code LIT009000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code LIT000000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code LIT004260
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code 822.912
Source bisac
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Kirsten Stirling
245 10 - TITLE STATEMENT
Title Peter Pan's Shadows in the Literary Imagination
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20141110
300 ## - PHYSICAL DESCRIPTION
Extent 172 p
520 ## - SUMMARY, ETC.
Expansion of summary note This book is a literary analysis of J.M. Barrie’s Peter Pan in all its different versions -- key rewritings, dramatisations, prequels, and sequels -- and includes a synthesis of the main critical interpretations of the text over its history. A comprehensive and intelligent study of the Peter Pan phenomenon, this study discusses the book’s complicated textual history, exploring its origins in the Harlequinade theatrical tradition and British pantomime in the nineteenth century. Stirling investigates potential textual and extra-textual sources for Peter Pan , the critical tendency to seek sources in Barrie’s own biography, and the proliferation of prequels and sequels aiming to explain, contextualize, or close off, Barrie’s exploration of the imagination. The sources considered include Dave Barry and Ridley Pearson’s Starcatchers trilogy, Régis Loisel’s six-part Peter Pan graphic novel in French (1990-2004), Andrew Birkin’s The Lost Boys series, the films Hook (1991), Peter Pan (2003) and Finding Neverland (2004), and Geraldine McCaughrean’s "official sequel" Peter Pan in Scarlet (2006), among others.

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