Art and Communication in the Reign of Henry VIII (Record no. 168)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01699 a2200241 4500 |
| 001 - CONTROL NUMBER | |
| control field | 1138265632 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250317100351.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 250312042016GB eng |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781138265639 |
| 037 ## - SOURCE OF ACQUISITION | |
| Source of stock number/acquisition | Taylor & Francis |
| Terms of availability | GBP 52.99 |
| Form of issue | BB |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | 01 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | eng |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | AB |
| Source | thema |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | AB |
| Source | bic |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | ART015080 |
| Source | bisac |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | 709.4209031 |
| Source | bisac |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Tatiana C. String |
| 245 10 - TITLE STATEMENT | |
| Title | Art and Communication in the Reign of Henry VIII |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 1 |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Place of publication, distribution, etc. | Oxford |
| Name of publisher, distributor, etc. | Routledge |
| Date of publication, distribution, etc. | 20161115 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 170 p |
| 520 ## - SUMMARY, ETC. | |
| Expansion of summary note | Exploring the intersection between art and political ideology, this innovative study of art in Henrician England sheds new light on the ways in which Henry VIII and his advisers exploited visual images in order to communicate ideas to his subjects. The works analyzed include water triumphs, coronation pageants and funeral processions, printed title pages of vernacular Bibles, coins, portrait miniatures, and murals, as well as panel paintings. With her analysis of these categories of objects, and using communication theory as a starting point, String presents a new model of communication based on the concepts of magnificence, topicality, persuasiveness, and propaganda. Through this model she shows how medium, location, display, and viewership were all considered in the transmission of royal messages. Using the art of Henry VIII's reign as a case study, String enriches our understanding of the fundamental contribution of imagery to communication, and also provides a model for the study of the dissemination of ideas and the patron-artist relationship in other royal courts and historical periods. |
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